If you are unable to pay for extra licences that would cover some countries, IbadaLive has a geo-protection feature that allows you to block access from any country you wish.
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If you are unable to pay for extra licences that would cover some countries, IbadaLive has a geo-protection feature that allows you to block access from any country you wish.
As both of these states fall under US jurisdiction they will be covered by ASCAP, BMI, SESAC and SoundExchange.
Regulatory bodies represent copyright holders across the world so a licence from your native organisation should cover you for any music you will be playing.
This will differ depending on your country but most licences will allow for use in multiple countries. A list of the permitted countries should be included as part of your licence. If not, contact the regulatory body who provided you the licence for full details.
Regulatory bodies provide licences and act as intermediaries between copyright owners and you, collecting royalties to ensure the owners receive fair pay for use of their work. There are individual organisations specific to each country who regulate these licences. For instance-
In the UK, there are two main regulatory bodies:
Whereas in the USA there are 4 regulatory bodies:
ASCAP, BMI and SESAC collect royalties for public performances, which include radio stations, businesses, bars, shops etc. All three perform the same function.
SoundExchange is different as it collects royalties from digital public performances, meaning anything done over the internet. If your station is limited to online only with no other public broadcasts then SoundExchange will cover your needs.
Be aware that licences from these organisations do not cover music for use outside of unskippable content like live broadcasts. Therefore, if you turn your show into a publicly-accessible podcast after it’s broadcast you will be unable to include the music used or else you will breach the licence agreement.